- Most trees are a tall trunk, from which spread the branches in a halo. The human body is much the same. Slightly different theme for most animals: a horizontal trunk, supported by multiple limbs. Human architecture tends to follow the animal form, oddly enough. Exceptions include Fuller's house, and the yurt.
- The Angel Oak has multiple support points, like an animal; but the overwhelming impression is more like an atom or an amoeba, with a central pillar that branches in all directions.
- Time. Time is measured in changes. Something that changes little... time moves more slowly. The Oak moves slowly compared to humans, but it still loses and regains its leaves each year (in the spring); it is not changeless. Humans tend to come and go quickly, rather than lingering under it.
- It is a sculpture carved by gravity, light, air, time, and the forest around it. The branches curve and twist in unexpected ways, echoes of obstacles the tree once faced, now long-gone. For some reason, it hasn't grown to the east. Maybe there was a building there, or another large tree, now vanished?
- The tree has grown to become an axis mundi. It exerts its influence on the land all round it, physically and spiritually, so that it echoes the oak; and the oak reflects the land all round it, too. Of course, this is true of all things; it is only our manners of seeing that pick out axes mundi.
Wednesday, May 25, 2011
Thoughts at the Angel Oak
Monday, May 9, 2011
Reading, Beltane to Midsummer 2011
Alison did this reading for me:
Judgement | Hanged Man | Page of Pentacles
Judgement
A call to new beginnings, restoration and wholeness, absolution and forgiveness. New life arising from death, a time of joy and rebirth. The trials and tribulations have passed and you are called, by destiny or a greater purpose, into renewed life in the light of a new dawn. Also, a time to reflect on the past and understand how the actions of yesterday have helped to shape today.Hanged Man
Self-sacrifice, especially for the greater good. A time of release and surrender, letting go of the effort and will normally exerted towards concrete or practical accomplishments; instead, withdrawing into solitude, contemplation or more mystic/"spiritual" pursuits. "Turning the world upside down" to gain new perspective. This may be a period of difficulty - it depends on how willing or unwilling the sacrifice is.Page of Pentacles
Opportunities for new growth and prosperity, a spark of initiative and potential offered. Grounded in earthy qualities like diligence, responsibility and practicality - relying on the tools and resources at hand - there is still a certain lightness and playfulness that accompanies every new beginning or intriguing opportunity. Also suggests an enjoyment of physical pleasures of the five senses, possibly in particular an engagement in nature (perhaps a literal garden?).The Story
The energy of the cards doesn't seem to have one clear direction. The Angel of Judgement faces to the left to sound her call, but both the Hanged Man and the Page seem to face forward or out of the card (though the Hanged Man's body is turned to face towards the right, his head hangs down so that he's looking almost behind him). Considering the association of the Judgement card with the events of the past and the Page of Pentacles being associated with new opportunities, there is some indication that the energies should be read from left to right like a simple past-present-future spread. In this case, Judgement might be strongly indicative of the transformation and new life of spring (associated so strongly with Beltaine, especially with the undertones of death and "breaking free"). The Page of Pentacles might be associated closely in time with the Solstice, then - perhaps in a very literal way, as a time when your activities and projects are "bearing fruit" in the form of new opportunities or potential being realized… but in a way that still demands continued steady work and commitment in a very practical, grounded way. In the meantime, there's a suggestion, by the Hanged Man, of acceptance or surrender, perhaps a period of rest and release, turning inward to seek the inner wisdom of spirit… or perhaps simply in preparation for the work to come, in order to gain some new perspective or insight that might be useful for taking full advantage of those future opportunities when they arise.My Commentary
This echoes a lot of what I've been thinking and feeling the past few days. I feel like I need to retreat a little, find my bearings and my touchstone. To that end I've decided to join DOTR and work on their aspirant path for a while. I also feel strongly called to get back into exercise, and commit more firmly to eating better. None of this is particularly creative or groundbreaking work; it's more about stepping back and shoring up the foundation, making sure I know where the ground is, so that I have a place to stand.Wednesday, April 20, 2011
Guides and Planets, Temptations, Hermits, and a Cup
I did an exercise in which I tried to pair my spirit guides with the planets, and came up with this:
- Odin: Mercury, possibly Saturn?
- Bison: Earth, possibly Saturn? (Note: association between Bison & Odin, too.)
- Dragon: Jupiter
- Apollo, Great Bear: Sun
- Buddha: Outer Planets
- Anima/Bel: Moon, Venus (and Sun?)
- Cernunnos: Mars
Interestingly, I had trouble placing Saturn. And I wonder if I should get a 'fetish' for Carnunnos? I have one for all the others (except technically Apollo, although theoretically someone is making us some symbols...)
I have an idea to ask a guide for their 'big message' once per night for the next six nights. Something I could perhaps repeat on a weekly basis.
I then decided to do two readings, one for Odin and one for the Anima. In both cases I did the reading last night, and the meditation this morning.
Odin
2 of Double-Vajras <- Mara -> The Middle Path (Temperance)
A tricky reading! Odin is shooting for the deeper lesson, since I already know he wants me to work on Mere America more. My first guess at this deeper lesson is this: fear can lead to two errors: dividing your time between too many projects, and trying to moderate and temporize your writing habits too much. Writing is something that you cultivate with daily practice, but when the inspiration starts flowing, you don't cut it off. Ok, and I think the plan I'm hatching (to work on different projects based on the moon phase) is a good shot at that.
The meditation: I spoke with the Old Man of the Delta; we sat on the top of his little tower and watched lights in the sky. His message essentially was: Don't allow your fear of not finishing the book interfere with your spiritual connection when writing & revising & marketing it. It WILL happen, in its time. Relax and allow it to do so.
Anima
9 Vajras <- Hermit -> Ace of Double-Vajras
Fascinating -- this is almost exactly the same reading as I got about a month ago, which led (in meditation) to associating the Hermit in the tower with the Old Man of the Delta. The Ace of Double Vajras is different (it was originally the Father). Interesting, since I'm specifically asking my Anima, not Odin, who I normally associate with the Hermit.
In meditation, I spoke with the Hermit in the Garden of the Anima. He showed, just as before, how allowing myself to try and bear the weight of the world would only lead to age and death. Instead, I need to let the gods bear the weight. The Ace of Double Vajras (Ace of Cups) was a huge chalice of water I drank from, and I felt the deep connection and love flowing between all of us there in the garden.
Tuesday, April 12, 2011
The Garuda
Cards:
Garuda of Double Vajras -> 10 Jewels (Cock) -> 9 Lotus (Sacrifice)
The Garuda is an animal guide of healing, destroying evil monsters and the like. The double vajras are water, but the Garuda is obviously a creature of the air. ... The 10 of Jewels is about the 'cockiness' or greed that comes from material satiety; and the Sacrifice is cutting away something that is of value.
In meditation, I felt drawn to the Forest of the Horned God. At the base of the World Tree, wooden steps rose in a spiral around the trunk and ended at a sort of tree house poised right above the tallest branches of the surrounding forest. The tree house -- the residence of the Garuda -- was semicircular, rather like one of those huge flat fungi you see growing out of the sides of trees. Structurally it was basically a big semicircular porch with a wooden home in the center of it. I didn't see much of the house (though it seemed to echo Odin's World Tree home in some ways -- wood and glass and brass, elegance and comfort, airiness. The porch appeared to be of some kind of stone, decorated with precious metals and stones in some kind of astrological pattern, like an astro chart carved into the porch.
The Garuda was tall and dressed elegantly in red, and looked like a man with vaguely animal features -- a beaklike nose, deep eyes, and a sense of profound comfort in his own skin. He offered me tea (a nod to the watery associations of the Double Vajra, he said). I asked him about my issues, and he said that as I get closer to my ideals of life and profession (10 Jewels), my relationships will change profoundly; and I'm going to have to give some of them up (9 Lotus). As in today's fracas, it's going to be a matter of me not acting the way I used to, and that rubbing some people the wrong way. There's going to be uncertainty about the right thing to do. But there is always a source of guidance: the Earth -- and in particular, calas, stone. He reminded me that when I first got the question from Emily about the favor, I immediately felt like it would be wrong to say yes. I wanted to help her, I wanted to help Fiona, but these desires were operating against my intuition. This intuition is my rock, my connection with the Earth.
When Mara cried to the Buddha and said, "What gives you the right? Who are you to claim this mantle of enlightenment?" the Buddha touched the Earth, his mother, and the Earth spoke up for him. In the same way, if I keep one hand on the Earth, I will not go wrong, even if my universe of friends is upended.
Wednesday, April 6, 2011
Novelist and Linguist
So tonight I did two readings & meditations:
The Novelist.
Where does it need to go? How can it get there?...I feel definitely called to work on Mere America, and yet the sales are quite stubbornly failing to go anywhere -- it's not unrolling effortlessly. What needs to happen?...
I know how it feels when things unroll effortlessly. It happened with Alison. I've got so much stuff going on in the sky now, all this energy -- and I feel like perhaps I'm blocking it or something.
Reading:
9 of Vajras <- Hermit -> The Father (Heirophant)
In this deck, the Hermit is 2 figures, the Old Man and the Monk. The Old Man looks & comments towards the 9 Vaj, and the Monk towards the Heirophant.
9 Vajras (swords) is traditionally a nasty card, the dark night of the soul, the despair that comes from loss of all hope. The Old Man leans that way. I'm not sure what part of myself that represents, unless it's the part that is afraid to quit my job, or afraid that I will never be a successful author. I'll meditate there. The 9 vajras in this deck is a snake eating the sun and moon, which may echo the 'eclipse' imagery I got back in Feb.
Meanwhile the Monk is looking towards the Father. The feeling I get here is that the Father energy is something I'm very comfortable with, that I have no problem bringing to bear on the problem. Witness for example the email I wrote to KL this evening, in which I gave her 'fatherly' advice about her writing services. The question then is exactly what the Monk is up to. ...It seems like I might get to visit the Hermit again in meditation. :-)
So that's what I did. I returned to his tower in the Forest of Branching Paths (which I'd first visited last summer, when I was working on that whole 'deserving success' issue), and he introduced me to the old man first. The old man was old because his energy was spent moving from task to task, never setting his burden down or allowing the gods to carry it for a while. It ran him to age and thus to dust. Definitely a warning. :-) The alternative: the monk (who was a young man, dressed in red, with black eyes dotted with stars), who has infinite strength because the gods do his heavy lifting. It's a matter, he said, of taking the time to rest, recharge, and allow the gods space to work.
He showed me a doorway that led to a room where sunlight was falling from high, high above. This room was at the bottom of a tall tower. All up the sides of the tower spiraled a wooden staircase, and I started climbing it. I climbed forever and ever... Flying wasn't going to work. At last I arrived at the last place I expected -- the top of the tower mentioned in this meditation, the Man of the Delta. Everything was pretty much the same there, but now I understood it to be a very 'high vibration' place, at the same level as some of the other landscapes I've been visiting recently (more on that another time). My sense was that I should visit this area more often, and work with the two men here (who I now understand to be reflexes of the "two" hermits in the tower below).
My big take-away is to allow the father energy, Apollo's energy, to work through me. With rest, exercise, and meditation, the energy will flow and everything will unfold the way it should.
MAN I feel so much better after doing that!!
The Linguist.
Then I did the meditation on Yap. I expected the readings to be related, so I did nothing to wash the older energies away, but went directly to the new reading.Buddha of Double Vajras <- 1st Sermon -> 5 Jewels
The pictures give an impression of the discerning teacher between two options -- the Buddha of Double Vajras, which is a watery father figure that I often instantiate, and the 5 Jewels, which I take to be myself dragged down by stress and toxins (as usually happens after a research conference). Yap's greatest purpose is for me to help people with my watery goodness, which I take to be linguistics here, while not allowing it to drag me down. The 1st Sermon (in which we talk about release from attachment and the 8fold path) helps us out here. It's a matter of discipline, but more deeply, a matter of breathing life / spirit into the work.
In meditation on this I was pulled immediately to the Bear's temple, which I felt moved to relocate: I realized that the place it was planted was basically unhealthy, and had too much rot and disease in the forest around it. Not sure what can be done to fix that, but in any case I felt a better place for the temple was directly over the Bear's original cave, on the grassy sward! So now the bear has her own temple right over her home. An excellent place to go and feel the Bear's energy there. Again, rather than getting action steps, by connecting with the energy I felt that the direction would be shown when the time comes. I just need to connect more. I can instantiate the Bear (especially in its fertile / protective aspect) for Yap by maintaining my connection to Spirit, and acting as Yap's connection when necessary.
As a result of these, I was definitely inspired to work on regularizing my daily schedule and doing more exercise and consistent sleep and meditation.
Monday, March 7, 2011
Dieting and Chakras
1) I have all kinds of trouble actually sticking to a fully raw vegan diet. I've been about 60% raw vegan overall, but there's still at least one meal every day where I have something cooked or fatty.
2) I tend to get stuck at certain weights, and can't push past. I know what to do to push through -- sticking more strongly to raw, or exercising, will work every time. But I can't summon the willpower to do that, even for the one or two days it'll take to make the breakthrough.
However, I think I have a conceptual breakthrough here, based on these readings I've done. Here are my notes:
March 5:
Bison is the guide here.
The Empress, the Star, the King of Pentacles
(Yasodhara, the Chakras, the Buddha of Jewels)
Flow of energy *appears* to be towards the center, although it seems possible that the Star is blocking energy moving from the Empress towards the Buddha of Jewels.
I'm having a very tricky time with this reading, showing that there IS a major blockage or illusion of some sort here. If it's a central destination pattern, then perhaps... perhaps it's telling me I need to give gifts to... the star? does it represent my body here? I'm looking more and more at the kundalini / snake image in the Chakra card, and thinking more about energy blockages. Is it a matter of using Yasodhara and Buddha / Jewels energies to break the blockage, wherever / whatever it is?
Running seems to help with the blockage, slightly. Yoga does, too, but even less. Long hikes, lots of time outside, that really helps a lot. Getting fired up creatively, that helps to. Relaxing, getting lots of sleep. What does this tell me about where the blockage is, ultimately?...
Hrrrrrrrmmmmppphhh.
Ok, I'm opening it up. NINE more cards to give me more insight here. What is the Empress? What is the Star? What is the King of Jewels here???
EMPRESS:
Buddha of 2xVajras; two of lotuses; 8 of lotuses. Reading here clearly has to do with merging of energies, a central destination. From the left comes the King of Cups, which is basically my emotional core, generosity and watery mutability; from the right comes the harvesting of growth; they meet in the middle with two jugs being poured into a cauldron. So the Empress is my emotional and practical fecundity and generosity.
STAR
The Dakini of Vajras dances between Mara on the left and the 3 of 2xVajras on the right. The Dakini here is my mind trying to solve this issue, I think; she's quite the dancer, and tries to use reason to separate Mara from... What? Teaching, especially effortless teaching. perhaps this is teachers like Tim Ferriss and the 811 people -- teachers my mind puts faith in, tries to escape Mara by running to them.
Hmm.
BUDDHA OF JEWELS
The Fool, the Mother, 7 Lotus. Energy flow is definitely from right to left, but the Fool is facing the direction of the flow. 7 Lotus is anger, and the dispersal of anger.
??
March 6
Beginning to think this is related to my 2nd chakra (variously said to be ruled by Pluto & Jupiter & Mars), which is somehow blocking energy from above? and my 3rd chakra is picking up the slack and so I have weight gain there.
If it's the 2nd chakra, then this is one prescription I found online:
HEALING STRATEGY: Movement therapy, emotional release, inner childe work, boundary work, assign healthy pleasures, develop sensate intelligence
AFFIRMATIONS:
I accept and acknowledge my sexuality. My physical health is strong and pure.
I deserve pleasure in my life.
I absorb information from my feelings.
Life is pleasurable.
I move easily and effortlessly.
This seems related to the sensual and sensate messages of the Empress and the Buddha of Jewels.
Something about increasing *fluidity* in that area?
How does this relate to the stuff I pulled up on the Star: Mara, Dakini Vajras, and 3 2xvaj?
Fool -- elephant -- remembering
Thinking on those three cards again... Perhaps something to do with moving away from 'fear' and towards curiosity or a positive goal. The best teacher is the teacher-by-example; the teacher who IS what he's teaching, and therefore teaching is effortless. Think more on what your goal is, then: focus on who you want to be, not what foods you should or should not be eating.
This advice, perhaps, reflects the meditaiton this morning in which the Mother figure talked about the false dichotomy between who I am and what I eat!
Sooo -- focus more on who you want to be. ?? Hm.
March 7
Now beginning to think this is most powerfully related to *grounding*.
My weight issues began to really take off when I started spending less and less time outside, and more and more time with cerebral friends playing games.
The times I've lost weight most successfully have been times when I spent hours outside each day, either jogging or walking to and from classes.
Looking back, it seems to me that the times I've been able to keep to diets most are times when I've spent a lot of time outside. The theory would be that eating actually *helps* *me* *ground*, by literally physically consuming part of the earth. So...
Upshot
The big take-away here is grounding. If I take my time to rest during the day, meditate regularly, and especially to ground myself in my body, I can much more easily resist the urges to eat heavier foods. Yoga, bare feet, stimulation of the feet, walking and jogging... All these things help tremendously.
Thursday, February 24, 2011
Diet and Desert
(... I have failed at dieting in many different ways, of course... )
1) Raw willpower. This works only if I'm super-motivated, and only works for a few days. Usually only works the first time I try a diet; after that, the motivation (which comes from curiosity) fades a great deal.
2) Excarnation. What happens here is that I sort of disengage from what's going on, and keep my mind elsewhere, leaving my body to deal with the diet as best it can. This works for long periods of time, but I actually tend to lose less weight on these diets as the time goes on. This may be because I'm not mentally experiencing the diet. Also, I tend to get grumpy. This is what happened last September during my 10-day fast.
3) Gradually easing in. Since November or so, I've been gradually trying to increase the amount of raw fruit and stuff I've been eating, and that made it easier to step into an all-raw diet in February. Of course I still cheat most days, one way or another; and I take a day off every week and eat whatever I want. According to my records, I've been eating about 65% raw overall. This isn't great, but (a) my percentages are still improving, and (b) it's still meant 9 lb of weight loss (and 3% fat and and 9 inches) since we began Jan 31st.
However, reading the book "The Solace of Fierce Landscapes" has me thinking about a diet as a desert. What is going on here is a feeling of lack-as-fullness: the emptiness is so profound that it becomes a presence; and this nothing-as-something is an experience almost religious in character. I wonder to what extent this kind of attitude can help me with cravings?